"I construct lines and color combinations on a flat surface, in order to express general beauty with the utmost awareness. Nature (or, that which I see) inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that, until I reach the foundation (still just an external foundation!) of things…
I believe it is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true."
-Piet Mondrian (written in a letter to H.P. Bremmer in 1914)
Mondrian's art always was intimate. They represent his spiritual desires and philosophical studies. In 1908, he became interested in the theosophical movement launched by Helena Petrovna Blavatsky. The work of Blavatsky and Rudolf Steiner's Anthroposophy significantly affected the further development of his mind and taste. Blavatsky believed that it was possible to attain a more profound knowledge of nature through empirical means, and much of Mondrian's work for the rest of his life was inspired by his search for that spiritual knowledge.
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